Spatial Ecologies~Living Chambers. Jozef van Wissem - sola gratia (Live @ Bimhuis - Amsterdam)

The Scriptorium, asperities with sound, built spaces, movement and materials.

Conceptualising Environment(s) : The More She Burns the More Beautifully She Glows~Sounding Innerness~Sympathy

Making : Continuity and Change.

Sounding Material Movements~Durational Exposures/Erasures/Configurations

Ballard : Vermilion Sands~Diffractive Readings  :  Speculative Fields/Spatial Practices

Hybrid Digital/Analogue Photography : Soundscapes/Choreographies/Celestial Scores

Soundscapes

Under Review : Hybrid Musical Sources

Side C
10. Sola Gratia (Part 2)- Jozef Van Wissem et SQURL

Outpost 021222 Thinking Forms/Haptic Collisions

 Outpost 021222

https://www.flickr.com/photos/russellmoreton/

Lo-Fi

Alternative Construction.

Contemporary Natural Building Methods.

Lynne Elizabeth, Cassandra Adams.

Earthbag.

Experimental earthbag structures at Cal-Earth.

Nader Khalili.

The beauty of the earthbag technology lies not just in its low cost, but in its freedom of form.

The use of soil-filled sacks (earthbags) for construction has received growing interest as a natural alternative building technique. Earthbags are textile or plastic casings packed with soil, and sometimes sand or gravel, used to construct foundations, walls, and domes. The technique is essentially a flexible form variation of rammed earth construction.

Earthbag construction is one of the most inexpensive building methods on the planet. It uses locally available site soil and common sacks. The technique requires few skills, is significantly faster than earth building methods such as adobe or cob, and unlike equipement-intensive modern rammed earth, requires few tools other than a shovel.

Working Cyanotypes/Vectors/Clusters of Movements.

Spatial Verbs/Durations.

Drawing on a light mediated surface.

Abstracted notations on the verge of visibility.

Traces on the canvas.

The Inclusion of Absences.

Mapping surfaces, from transparency to occlusion.

Abstract Circulation Diagrams.

Diffractive Intermediaries in Architecture.

Alternative Photographic Processes.

Subjectivity in forsaken spaces.

Resistivity/Photographic Decay : Inclusions in the order of time.

Theory, Placemaking, Trigg

Francesca Woodman, Deborah Turbeville.

Photographic Collages.

Place Studies.

Locating practice/inquiry.

In the darkroom with the flesh of the film.

Building on the impossibility of the specific. 

Everyday correlations, living with making place.

The recording apparatuses spatial practice.

Learning with phenomena, presentia the light in its moment. 

Spatial cyanotype drawings and exposures. 

Daylight weather observed and recorded.

Red Gas Kiln, external dimensions, 1.2m x 1.2m x 1.0m, plus stand 0.5m.

Joseph Beuys, clay accumulator and table, Tate Modern.

Joseph Albers.

Karen Barad.

Intra-Activity, Performativity, Bodies.

Colour Intermediaries, induce spatial relations between objects and processes, they create, set in motion diffractive phenomena.

The Mind's Eye.

Bridget Riley.

SPAB, Working Parties.

What Remains.

To preserve something from the continuum of time.

Materials bounded by contact and context.

Plastic Architecture/Lime and Flintwork.

Linking built surfaces to the aesthetic experience of place.

Asperity, in materials science, is defined as unevenness of surface, roughness, ruggedness, that can create frictional interactions between the relationships of materials. 

Site is a temporal undoing of place.

Architecture taken back into the domain of  building. 

Scaffolds for learning, access, practices and preservation. 

On Reading.

Cell-Court-Domain.

Apokatustasis.

Jim Jarmusch

Jozef Van Wissem

John Cowper Powys.

A Philosophy Of Solitude.

Reading Powys one finds no belief, no system of dogmas or doctrines, just an insight gathered from experience.

He  is a walking philosopher, who develops his thoughts on the character of solitude, the walker formulates his words out of an inner heuristic development. A preparation in order to be able to relate to other people. 

A Field Guide to Getting Lost.

Rebecca Solnit.

The wonderlust of learning for profound and complex inquiry.

The creative, hopeful philosophy of emotions that colour, illuminate our worlds.

Crafting the mind : Human Inhumation/Containment

Human Vessel/Leper Grave.

Morn Hill, Winchester.

Liquid light emulsion, charcoal, wax on paper, 2.1 x 1.5m.

Russell Moreton.

https://www.flickr.com/photos/russellmoreton/

Discursive Thinking/Substance and Display.

Julian Stair

Quietus/The Body Politic

Morality

Jonathan Sacks

Co-Existing with the Virus

Jozef Van Wissem

Grand Central Confessional

Nature Boy

He said that in the end it is beauty

That is going to save the world, now

Nick Cave and The Bad Seeds

 

Jozef Van Wissem & SQÜRL - The Taste Of blood (Only Lovers Left Alive So...

Espace-Milieu : Painting as Environment

 Aerial

 Social Mappings. Winchester Cathedral : 

 Space for Peace 2011.

Crafting the mind : Human Inhumation/Containment

Julian Stair

Quietus/The Body Politic

Morality

Jonathan Sacks

Co-Existing with the Virus

Jozef Van Wissem

Grand Central Confessional

Nature Boy

He said that in the end it is beauty

That is going to save the world, now

Nick Cave and The Bad Seeds

https://www.flickr.com/photos/russellmoreton/

"Spatial turn" 

The increased attention to matters of space, place and mapping in literary and cultural studies, as well as in social theory, philosophy, and other disciplinary fields.

Spatiality, Robert T. Tally Jr. Routledge 2013.

Ruins

Generative/Emergent/Influences : The vibrancy and effectivity of nonhuman bodies, forces and flows/Jane Bennett

Mimesis : Paradox or Encounter

Jane Bennett. 2018

Everything changes. It is not that everything is always at the precipice of dissolution, but that every thing is changing in relations with oth­ers—at speeds that are sometimes slow and gradual and sometimes fast and overwhelming. This is the fate of mimetic bodies, human or not.

Every act of artistic mimesis will differ from all blueprints and inspirational ideas and  dreams,  insofar as the creative process always differs from itself as it proceeds. Process or new materialist philosophy also  rejects—or perhaps the better verb  here is elides—the model of the autonomous human  agent,  highlighting  instead  the vibrancy  and effectivity of nonhuman bodies, forces, and flows and the ways in which human agency is itself enabled and constrained by them.

Amorphous Photography : Star Trails/Pylon : Hybrid Musical Sources

Side C

10. Sola Gratia (Part 2)- Jozef Van Wissem et SQURL

Astronomical Mappings/Hybrid Musical Sources : Amorphous Analogue Photography : Star Trails/Earth Objects

Amorphous Photography : Star Trails

Inscriptions of Birth/Becoming : Poetics of Memory


Side C
10. Sola Gratia (Part 2)- Jozef Van Wissem et SQURL