Spatial Bodies : Visual Art Materialisms~Processual Workings

Body Assemblage/Diffracted Material #1-3 : Composition~Dissolution

https://www.flickr.com/photos/russellmoreton/

https://russellmoreton.tumblr.com

Artist's Statement. 2012

UK based visual fine artist working in alternative photographic processes, installation and drawing. Interested in using "Spatial Practices" to inquire into architectural space through fine art and performative interventions. Practicing craftsman in architectural glass and ceramics.

Russell Moreton, Winchester. 

• Russell Moreton
• visual art
• visual fine art
• spatial practice
• research creation
• ecology of experience

Diffractive Surfaces/Visitors : Imaginative Cartographies/Spatialities/Fictions/Epistemologies

Speculative Fields/Spatial Practices

03082021

Site-Specificity/Spatial Practice

The distinguishing characteristic of today's site-oriented art is the way in which both the art work's relationship to the actuality of a location (as site) and the social conditions of the institutional frame (as site) are subordinated to a discursively determined site that is delineated as a field of knowledge, intellectual exchange or cultural debate

Miwon Kwon 1997

Discursive Reading (against linearity)/New Modalities of Inquiry

New Generative Boundaries/Situatedness

Wayfinding and Heuristic/Everyday Practices

Reading is also thinking through the body

Viscous Porosity/Flesh of the world

Enfleshed Materialism/Membranes that affect interactions

Words Become Material

Troubleyn Laboratorium/Jan Fabre

In this moment the words become a performative agent writing and acting on the body

Installing ourselves in the event, that emerges in our reading

Reading diffractively means that we try to fold these texts into one anther in a move that flattens out our relationship to the material. In so doing we install ourselves into its/our becoming

Thinking with Theory in Qualitative Research/Barad Thinking with intra-action

Alecia Y. Jackson, Lisa A. Mazzei

Paintings/Art Works are boundary making apparatusses

The Diffractive Apparatus/Analysis of Intra-ventions/actively/entanglements

Phenomena and Thresholds from which to create new analytical questions/forms

An entangled state of agencies, that which exceed the traditional notion of how we conceive of agency, subjectivity, and the individual.

Agency is an enactment, not something that someone has. Such entanglements require an analysis that enables us to theorize the social and the natural together.

Barad

Diffraction

Two major authors write about the metaphor of diffraction, Karen Barad and Donna Haraway.
They explain how diffraction is a method for reading and writing based upon the physical phenomena. Diffraction is a way of coping with epistemological problems of representation (invisible knowledge maker as a false sense of objectivity, self-vision of reflexivity as totalizing and undermining knowledge claims).

To paraphrase Haraway, from "Modest_Witness@Second_Millenium.FemaleMan_Meets_OncoMouse" diffraction is an attempt to make differences while recording interactions, interference, and reinforcement. It does not have an origin and has a heterogeneous history. In addition, the practice of diffractive reading and writing never sediments the relationship between signifier and signified. Van der Tuin explains, "Diffraction is meant to disrupt linear and fixed causalities, and to work toward ‘‘more promising interference patterns’’ (26). She also explains that this can be practiced by reading texts through one another, and rewriting.This disrupts the temporality of a piece of writing, transverses boundaries such as discipline, and can change meanings in different contexts opening up meaning.

https://newmaterialistscartographies.wikispaces.com/Diffraction

Diffracting Photography/Painting/Collage Works

Heuristic reconfigurations through making/understanding/encounters with material









Is there still an aesthetic illusion? And if not, a path to an “aesthetic” illusion, the radical illusion of secret, seduction and magic? Is there still, on the edges of hypervisibility, of virtuality, room for an image?
— Jean Baudrillard, The Conspiracy of Art, 2005


Collage Works, A Hut of Ones Own

Jana Sterbak
Remote Control 1989

A heuristic technique (/hjᵿˈrɪstᵻk/; Ancient Greek: εὑρίσκω, "find" or "discover"), often called simply a heuristic, is any approach to problem solving, learning, or discovery that employs a practical method not guaranteed to be optimal or perfect, but sufficient for the immediate goals.


A Hut of One's Own, Ann Cline


Texts, Annotations, Foundations, Pathways, Corridors, Bookmarks, Walking, Thinking, Ramble, Cross Country, Disciplines,

• Russell Moreton
• visual art
• visual fine art
• spatial practice
• research creation
• ecology of experience