Material absorbed in its own thoughts :
Wednesday, 8 June 2016
Tarkovsky : Solaris/Connected by Innumerable Threads
“In all my films, it seemed important to me to remind the audience to the fact that they are not alone, lost in an empty universe, but that they are connected by innumerable threads with their past and present, that through certain mystical ways, every human being realizes the rapport with the world and the life of humanity.” – Andrei Tarkovsky
https://vimeo.com/120835495
Saturday, 14 May 2016
Friday, 6 May 2016
Friday, 29 April 2016
Friday, 15 April 2016
Russell Moreton Found Objects : Archaeological Photogram/Layered Landscapes
When you make photograms, without the use of a camera, you can indeed call that abstract photography, as the lens and the corresponding registration medium are lacking. No longer do you have pictures of reality or objects; you only have their shadows. It is a bit like Plato’s cave, where one could only imagine reality; the objects themselves were not visible.
—Thomas Ruff
Layered Landscape
"Thus we cover the universe with drawings we have lived. These need only to be tonalized on the mode of our inner space."
Gaston Bachelard.
The Poetics of Space.
Labels:
#russell moreton,
#spatial practice,
abstract photography,
analogue,
archaeology,
art practice,
Bachelard,
chalk,
field,
land,
Landscape,
photogram,
texts,
Thomas Ruff,
Winchester
Thursday, 14 April 2016
Russell Moreton Sublime Components 001 : Field Networks (Bramdean)
We are living through a protracted epidemic of confusion about the difference between artworks and documents. A border is being blurred.
The convergence of Minimalism and the Bechers had given documentary images a secure place in the world of art.
Cruel and tender
Carter Ratcliff
1 June 2003
Labels:
#russell moreton,
#spatial practice,
agents,
analogue,
black and white,
ceramic,
components,
conduit,
digital,
drawing,
field network sublime,
insulators,
light,
lightroom,
luminance,
monochrome,
solarized,
surreal,
white background
Monday, 11 April 2016
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