Spatial Collage : Research/Discourse/Apparatus
Farnham University of the Creative Arts
rhythmanalysis : Space, Time and Everyday Life.
Lefebvre
Jannis Kounellis
Carlo Scarpa
Translates the painterly relationship of figure and ground into the space of real situations
The Visual Poetics of Jannis Kounellis, Suzanne Cotter and Andrew Nairne.
Modern Art Oxford, 2004-2005.
bricolaged notes from STUDIO UNBOUND : Lane Relyea
Institutional Critique : Studio/Post Studio Activity
SPATIAL AGENCY : Spaces of Fluid Interchange Between Objects, Activities, People.
Today studio and museum are superseded by more temporal, transient events.
The Function of the Studio
Daniel Buren
The Studio is no longer as seen as belonging to a system.
No longer a retreat but it now INTEGRATES
It is all exterior.
Material Flows 2007/2017 Towards Disentanglement
Social behaviour is trapped in inescapable patterns of interaction coded by techno-linguistic machines, smartphones, screens of every size, and all of these sensory and emotional devices end up destroying our organism's sensibility by submitting it to the stress of competition and acceleration.
Franco "bifo" Berardi
The Network places the artist as a 'like item' within an integrative inventory or database.
Networks are both integrative and decentralizing in that they privilege casual or weak ties over formal commitments.
Being part of a network that privileges itinerancy and circulation over fixity, that diminishes hierarchies and boundaries in favour of mobility and flexibility across a more open extensive environment.
'The Studio made into a showroom display'
Antagonism and Relational Aesthetics. 2004
Claire Bishop
The Individual and The Social
A place where meanings, properties and behaviors fluctuate radically.
Bennett Simpson. Can you work as fast as you like to think. 2003
The hosting/re-created artist's workspaces, like a threshold between private and public actuality and potentiality.
The Notion of the Evolutionary Exhibition.
Placing greater emphasis on INFORMATION, DISCUSSION and GATHERINGS
Establishing NETWORKS, fluctuating between highly specialized work by scientists, artists, dancers and writers
Obrist/Vanderlinden, Laboratorium, Antwerp. 1999
MODULATION, Deleuze
Immaterial Social Acquaintances/Information
Along with the rise of Networks comes a new Ideology, one that Advertises Agency, Practice and Everyday Life.
The Dividual (The New Mobile Creator) Deleuze
Someone who is 'UNDULATORY In ORBIT, in a CONTINUOUS NETWORK
Colour Nexus : Promiscuous Mobility
OBSCURED MATERIAL
OUTPOST STUDIO 3.16
Notes from sketchbooks
Apokatastasis : Jim Jarmusch, Jozef Van Wissem
Spatial Asperity/Mesh, Membrane and Gauze
Drawing and its attempts to map out/make visible contingent things
Contingency, is what remains, as it comes up against causality/constantly passing through
Objects/Things conceptualized by the exploration of drawing (intervals of blindness)
Linking Surface to the Aesthetic Experience of Space.
Experiences incorporating interests with environmental textures into Art.
Points of Contact/Confluence of Circumstances
Materials bound by contact/canvas
Patina, absences, gesso, textile wrappings, field chalk, exhumed oyster shells, yellow ochre,
A philosophy of Reading
Solitude/Libraries : Cell/Court/Domain
Clay, Waxed Surface, Liquid Rust, Calico,
Sensate Bandages/Windings/Armatures : Corporeal Landscapes/Assemblages/Things
Social Architectures/Anthropologies/Imaginary Projects
Timothy Morton : Realist Magic
The elasticity of sensation, affective and wonderous
Sally Mann : Matter Lent/Collodion wetplate negatives
Corpus, liquid light, flesh, spirit, trace, outline, human body, performative,
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