Showing posts with label small perceptions. Show all posts
Showing posts with label small perceptions. Show all posts

Thursday, 27 July 2023

Drawing Fields/Small Perceptions : Becoming BOUNDARIES AND JUNCTION POINTS.

 DSC_6111 Spatial Drawing/Speculative Site.

 BOUNDARIES AND JUNCTION POINTS














The theoretical object as a concept to express the force and feeling of inquiry.

The Stick Thing, Canterbury School of Architecture/Spatial Practice/Oren Lieberman. 2009.

Raveningham, speculative array of simple objects in the landscape.


Lefebvre, The Production of Space.


Lefebvre in his chapter on Spatial Architectonics makes reference to the relationships established by boundaries and the relationship between boundaries and named places. These relationships promote significant and specific conditions or features to a space. This in turn results in various kinds of space. Lefebvre states that “every social space, then, once duly demarcated and oriented, implies a superimposition of certain relations upon networks of named places.”1


It is this superimposition of space that can within it demarcate other thresholds of experiences, within an existing demarcated space that interests me.


The act of “blocking in “ the dimensions of another space onto the floor of another create a temporal junction between a host space and a site within this host, a guest. This sets-up the notion of a temporal double occupancy held by the demarcation of a boundary and a site of proposal. This basic and temporal site marking could be said to have affinity towards some sort of anthropological marking, a territory. (Lefebvre defines anthropological marking as being at the stage when demarcation and orientation begin to create place and its social reality in archaic cultures)2. This activity also has associations with nomadic and agricultural-pastoral societies as they use paths and routes as spatio- temporal markers or determinants.


Lefebvre acknowledges that geographical space created through the body, through routes which were inscribed by means of simple linear markings. These first markings, paths and tracks drawn into the landscape would become the pores through “which without colliding would produce the establishment of places (localities made special for one reason or another).”3Within my practice drawing is used to form sites which contain visual information, evidence of temporal activities and traces of actual objects. These territories within other territories create fields from with boundaries form material relations, differences. My drawings are inside the temporality of site I have instigated and yet they propose a territory and a surface of light years which could accommodate the temporality of terrestrial space.


Interestingly Lefebvre comments “there is no stage at which ’’man” does not demarcate, beacon or sign his space, leaving traces that are both symbolic and practical.”4


1 Lefebvre, The Production of Space, (London: Blackwell, 1991) page 193.


2 Ibid.,page 192.


3 Ibid.,page 192.


4 Ibid.,page 192.

Tuesday, 25 July 2023

The Mechanism/Sequence of Allure : Colour/The Sensual Object.

Because the faculty of sight is continuous, because visual categories (red, yellow, dark, thick, thin,) remain constant, and because so many things appear to remain in place, one tends to forget that the visual is always the result of an unrepeatable, momentary encounter. Appearances, at any given moment, are a construction emerging from the debris of everything which has previously appeared.

John Berger, Berger On Drawing.


Art and Ontography.

Open Philosophy.

Remonstrating on art's openings, their natural theatricality, and on the truthful deceptiveness of all revelations of the real.

Simon Weir, Object-Oriented Ontology and Its Critics. 2020


Revelations : Filtered Light : Visual Contiguities

PSYCHOLOGY

the sequential occurrence or proximity of stimulus and response, causing their association in the mind:

"contiguity is necessary in all forms of learning"

https://www.flickr.com/photos/russellmoreton/46959196972/in/dateposted-public/








Revelations as a truthful deceptiveness.

Art and Ontology.

An Infra-Realist Ontographic Art Object.