Art and Anthropological Concerns : Spatial Agencements : Processual Circulations.

Material absorbed in its own thoughts :

Sunday, 3 February 2013

Architectural Materials,surface/forms/substance #1

Architectural Materials,surface/forms/substance #1 by Russell Moreton
Architectural Materials,surface/forms/substance #1, a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Sunday, February 03, 2013 No comments:
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Labels: architectural, art practice, assemblages for architecture, cyanotype, drawing, glass, lead, materials, paper, relationships, space, surfaces

Saturday, 2 February 2013

Pinhole Photograph 21 Oct 08 : Immaterial Presences.

Pinhole Photograph 21 Oct 08 : Immaterial Presences. by Russell Moreton
Pinhole Photograph 21 Oct 08 : Immaterial Presences., a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Saturday, February 02, 2013 No comments:
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Labels: architectural interior, art, creative praxis, documentation, laboratory, material, meeting place, negative, pinhole photography, practice, spectral forms, white light

Friday, 1 February 2013

Blueprint : Tidbury Ring (postcard 2)

Blueprint : Tidbury Ring (postcard 2) by Russell Moreton
Blueprint : Tidbury Ring (postcard 2), a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Friday, February 01, 2013 No comments:
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Labels: alternative processes, art, art practice, blueprint, contact print, cyanotype, film, hybrid printing methods, Landscape, medium format, multiple, postcard, Tidbury Ring

Thursday, 31 January 2013

Studio Space : Layered Template #3

Studio Space : Layered Template #3 by Russell Moreton
Studio Space : Layered Template #3, a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Thursday, January 31, 2013 No comments:
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Labels: art, art practice, blue, cyanotype, drawing, interior, intervention, masked room, praxis, process, research, site, spaces, studio, superimposure, template, white

Italo Calvino : Six Memos for the Next Millennium. 1992

Calvino wanted to call the sixth lecture "Consistency", and he planned to write it in Cambridge. Esther Calvino
Posted by Russell Moreton at Thursday, January 31, 2013 No comments:
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Labels: art practice, content's page, exactitude, Italo Calvino, lightness, multiplicity, quickness, research, russell moreton, Six Memos for the Next Millennium, spatial turn, visibility

Blue Spaces : White Absences #1

Blue Spaces : White Absences #1 by Russell Moreton
Blue Spaces : White Absences #1, a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Thursday, January 31, 2013 No comments:
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Labels: abstract, alternative processes, blue, composition, cyanotype, intervention, Reflection, room, site, studio space, template, visual, white

Wednesday, 30 January 2013

What is the capacity of the material ? Josef Albers.

What is the capacity of the material ?   Josef Albers. by Russell Moreton
What is the capacity of the material ? Josef Albers., a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Wednesday, January 30, 2013 No comments:
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Labels: capacity, drawing, interior, light, materials, memory, relationships, site, site as the un-doing of place, spaces, surfaces, transparency

Substances and Residues : Place and Process #1

Substances and Residues : Place and Process #1 by Russell Moreton
Substances and Residues : Place and Process #1, a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Wednesday, January 30, 2013 No comments:
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Labels: analogue, art practices, chamber, cyanotype, digital, drawing, frame, hybrid, installation, leylines, photography, process, site

Transposition : The Chamber #2

Transposition : The Chamber #2 by Russell Moreton
Transposition : The Chamber #2, a photo by Russell Moreton on Flickr.

Merging spaces through archival processes.

Posted by Russell Moreton at Wednesday, January 30, 2013 No comments:
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Labels: alternative photography, archival processes, art practice, chamber, historic site, installation, interior, leylines, merging spaces, photography, russell moreton, site, warped space
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Assemblages for Inquiry/Reading (Circus, Sea, Ruin)

  • The Moving Figure : Sociological/Corporeal/Subjective
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  • Experimental Photography

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Russell Moreton
Harleston, Norfolk, United Kingdom
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