Material absorbed in its own thoughts :
Wednesday, 10 February 2016
Tuesday, 9 February 2016
Russell Moreton The Garden : Diagram, template and observational record. #1
Site drawing from "a pathway between sunrise and sunset" staged at Kilquhanity, Scotland 2011. This research has led to notions of architectural "interventions" and " footprints" through the direct observational mapping of celestial alignments and movements as they pass over the landscape.
Visual Documents : Installation Art
Visual Documents : Installation Art
Dark Session's : Shadowy speculations in the pottery. Kilquhanity 2011
Silver gelatin prints from a "room obscura" set up at Kilquhanity, Scotland 2011 as part of "Back to Free school, Drawing out the Archive".
Monday, 8 February 2016
Thursday, 4 February 2016
Friday, 29 January 2016
Thursday, 28 January 2016
Russell Moreton Openings and Conclusions 6
https://uk.pinterest.com/russellmoreton/
Collage on paper,written fragments and images from Peter Greenaway, Josef Albers and Robin Evans. Photo montage of The Physical Self (Greenaway) and Waverley Abbey UK.Visual research as part of The Waverley Project/Obscura and Reading Room.
On the horizon, then, at the furthest edge of the possible, it is a matter of producing the space of the human species-the collective (generic) work of the species-on the model of what used to be called "art" ; indeed, it is still so called, but art no longer has any meaning at the level of an "object" isolated by and for the individual.
Labels:
#russell moreton,
#spatial practice,
archaeology,
Cistercian Monastery,
Colin Renfrew,
Josef Albers,
Peter Greenaway,
place,
Remote Sensing,
Research Collage,
Robin Evans,
The Sensitivities of the Physical Self,
Waverley Abbey,
Working Notes
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