Anthropocene Library : Pinhole Photograph/Fingerprint (270)a-001

Contents
Etymology
Nature of human effects

New Dark Age

Technology and the End of the Future

James Bridle


The Silence of Animals

On Progress and Other Modern Myths

John Gray


The Drowned World

JG Ballard

The anthropology of landscape: materiality, embodiment, contestation and emotion https://t.co/lbTkYF0jkT #archaeology #free #openaccess pic.twitter.com/fy5QNiJrQx

— UCL Press (@UCLpress) November 28, 2018

Art in Mind

Ballardian Architecture: Inner and Outer Space

David Cunningham, University of Westminster, examines architectural aspects of Ballard’s prose, exploring corresponding tendencies in the writings of Iain Sinclair and W.G. Sebald.
 
Ballardian Architecture 3 - David Cunningham from London Consortium TV on Vimeo.

Working Title : "you are immersed in an illusionary, yet sensate, world"

Space Between People

How the virtual changes physical architecture
Stephan Doesinger

This book shows how the virtual has completely changed the physical world around us. If architecture is the construction of space between people, what happens when that space exists in a virtual world? That question is the starting point for this collection of revolutionary projects by a new generation of designers. The book begins by examining the important issues that have emerged as technology reshapes our idea of place and proceeds to present the four winning projects from the first architecture competition held within the explosively popular Internet community known as Second Life. Chosen for their inventiveness and aesthetic excellence, these structures - a cloud that can be inhabited; a meta-museum; an interactive sound scape; and a snow palace of discarded objects - illustrate the mindbending possibilities of digital design. In the books final section, media artists share their real-time experiences conceptualizing and creating projects for the virtual world.


Non Spaces : Fire escape Winchester School of Art

Meshworks/Norwich : Midway/Dante
Beginning as one always does in the middle, in mediis rebus, one experiences a sense of disorientation, a sort of cartographic anxiety or spatial perplexity that appears to be part of our fundamental being-in-the-world. It is an experience not unlike that of Dante, in the opening lines of his Commedia:

Midway along the journey of our life,
I woke to find myself in a dark wood,
for I had wandered off from the straight path.

( Dante 1984 : 67)
Introduction : Spatiality .
Robert T. Tally Jr.
the New Critical Idiom, Routledge 2013

Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"

"All that is solid melts into air"

Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)

Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013

Transparent Folder : Tarkovsky Polaroids

Transparent Folder : Rodin - Beuys

Transparent Folder : The Politics of Things

Transparent Folder : Nineteen Eighty-Four

Clay Work : Visceral Practices

MAKING : Template and Form
Pastoral Space: Material, Inquiry and Craft.

CLAY : Speculative City : From Pilgrim to Tourist

From Pilgrim To Tourist (or a short history of identity). Zygmunt Bauman.

Clay drawing/situation/collage based on a performative script/reading.

Photo Memoir
Studio Space,The Yard 2, Winchester.

Material Agency : Carl Knappett, Lambros Malafouris
Visualising Environmental Agency

"Agents are defined as persons or things, which have the ability and intention to "cause" something "in the vicinity" or "in the mileau" to happen ( Gell 1998)"
"These latter artefacts are described with the term "index", to remove the appellation "art" and to imply that they are indexes of agency."
Some Stimulating Solutions, Andrew Cochrane.

A Potter's Book: Bernard Leach
Art and Agency,an anthropological theory: Alfred Gell
Michael Cardew : Pioneer Pottery

Auguries into the maternal body. Un-fired clay and silica sand.
Maternal Body : Clay Impression and Fragmented Form

Constructed in-situ at the Yard, Winchester. A life-size record and memory of a human presence as a site for mutual introspection.

Children Of Men : P D James

Outpost : The Politics of Architecture/Literature

 Theorizing through speculative spatial practices.

"He rubbed his eyes. The riddle of his surroundings was confusing but his mind was quite clear - evidently his sleep had  benefited him. He was not in a bed at all as he understood the word, but lying naked on a very soft and yeilding mattress, in a trough of dark glass. The mattress was partly transparent, a fact he observed with a sense of insecurity, and below it was a mirror reflecting him greyly. Above his arm- and he saw with a shock that his skin was strangely dry and yellow - was bound a curious apparatus of rubber, bound so cunningly that it seemed to pass into his skin above and below. And this bed was placed in a case of greenish-coloured glass (as it seemed to him), a bar in the white framework of which had first arrested his attention. In the corner of the case was a stand of glittering and delicately made apparatus, for the most part quite strange appliances, though a maximum  and minimum thermometer was recognizable."

H. G. Wells : The Sleeper Awakes. 1899/1910

Spatiality : The Spatial Turn, Robert T. Tally Jr. 2013

Immediate Architectural Interventions, Durations and Effects : Apparatuses, Things and People in the Making of the City and the World. Alberto Altes Arlandis, Oren Lieberman. 2013

Preface (1921) ” The great city of this story is no more than a nightmare of Capitalism triumphant, a nightmare that was dreamt a quarter of a century ago. It is a fantastic possibility no longer possible. Much evil may be in store for mankind, but to this immense, grim organization of servitude, our race will never come” H.G. Wells. EastonGlebe, Dunmow,1921.

Veiled Melancholy/Book Narratives : Film Collages. #3

KONTAKTE

Site Specificity : Camouflage

Site is anti-place hovering precariously over the abyss of no-place.
Edward S. Casey, The Fate of Place

Introduction : On Installation and Site Specificity
Erica Suderburg

The line between art and life should be kept as fluid, and perhaps indistinct as possible.
Allan Kaprow, 'The Event'

Box For Standing, 1961
Robert Morris

Body and Building
Essays On The Changing Relation Of Body And Architecture
Dodds, Tavernor

Observatory, 1971
Robert Morris

Rethinking Architecture
Neil Leach

There is at the core of contemporary existence a transcendental homelessness which Kracauer evokes so lucidly in his description of the hotel lobby, the quintessential space of modernity.

Camouflage
Neil Leach

Immaterial Architecture : Waverley Pavilion

Building The Drawing
The drawing as analogue allows more subtle relations, of technique, material and process, to develop between drawing and building.
Immaterial Architecture
The Illegal Architect
Jonathan Hill

Oak Tree
Oil
Paper
Plaster
Rust
Sgratfito
Silence
Sound
Steel
Television
Weather

Frosted Light
Index of immaterial architectures

TRANSPARENCY : LITERAL AND PHENOMENAL
Colin Rowe, Robert Slutzky

Interactions of the Abstract Body
Josiah McElheny

Object Lesson
Interactive Abstract  Body (Square)
The Spatial Body (After Fontana)

Tracing Eisenman
Stan Allen
Indexical Characters

FABRIC=MASS+ FORM
Alan Chandler
The interest in fabric formwork is in its deployment in a building process, which is faster than conventional formwork. Fabric formwork is inherently more sustainable due to the minimising of both concrete and shuttering, and more radically, allows the constructor to intervene in the process of casting even as the cast is taking place.


ANTI OBJECT
Kengo Kuma
We are composed of matter and live in the midst of matter. Our objective should not be to  renounce matter, but to search for a form of matter other than objects.
What that form is called- ARCHITECTURE, GARDENS< TECHNOLOGY is not important.

ReThinking Matereriality
The engagement of mind with the material world
Elizabeth DeMarrais, Chris Gosden, Colin Renfrew

The Affordances of Things
Towards a  Theory of Material Engagement
Aesthetics, Intelligence and Emotions
Relationality of Mind and Matter

Material Agency
Towards a Non-Anthropocentric Approach
Carl Knappett, Lambros Malafouris

At The Potter's Wheel : An Argument for Material Agency
We should replace our view of cognition as residing inside the potter's head, with that of cognition enacted at the potter's wheel.

The Neglected Networks of Material Agency : Artefacts, Pictures and Texts

Material Agency as Cognitive Scaffolding

The Cognitive Life of Things
Material Engagement and the Extended Mind
Lambros Malafouris, Colin Renfrew

Minds, Things and Materiality
Michael Wheeler

Communities of Things and Objects : A Spatial Perspective
Carl Knappett

Imagining the Cognitive Life of Things
Edwin Hutchins

Things and Their Embodied Environments
Architectures for Perception
Structuring Perception through Material Artifacts
Charles Goodwin

Leach Pottery, Studio and Museum
A Potter's Book
Bernard Leach

Adventures of the Fire, Vessels Through Time
Ceramic Pavilion
People make space, and space contains people
Ceramic space and life

Gordon Baldwin
Objects For A Landscape
David Whiting
Vessels-Spaces that cannot be drawn, rather they  need to be experienced.
Imagining a Vessel in a Rock on a Beach, 2006,(charcoal on paper)

The Architecture of The Ceramic Vessel
The use of the vessel in the investigation of our world.
The exploration through the dichotomy of the analysis between exterior and interior, of one pot to another and from  the message they convey.

MATERIAL MATTERS
ARCHITECTURE
AND MATERIAL PRACTICE
Katie Lloyd Thomas

PLENUMS : RETHINKING MATTER, GEOMETRY AND SUBJECTIVITY
Peg Rawes

ARCHITECTURE
IN THE AGE  OF DIVIDED REPRESENTATION
The Question of Creativity in the Shadow of Production
Dalibor Vesely
The Nature of Communicative Space
Creativity in the Shadow of Modern Technology
The Rehabilitation of Fragment
Towards a Poetics of Architecture

The Projective Cast
Architecture and its Three Geometries
Robin Evans
Architects do not produce geometry, they consume it

Analysing ARCHITECTURE
Simon Unwin
Geometries of Being
Architecture as Making Frames
Space and Structure

EMULSION/ANXIETY : Photographic Landscape

I do not start with the idea but with the experience
Peter Lanyon

The Experience of Landscape
Paintings, Drawings and Photographs
South Bank Centre

An Anthropology Of Landscape
Christopher Tilley, Kate Cameron-Daum

ECOLOGY WITHOUT NATURE
Rethinking Environmental Aesthetics
Timothy Morton

Ordinary Lives
Studies in the Everyday
Ben Highmore

The Art of Survival?
Jacqueline Rose
Essay for 'Elsewhere' Therese Oulton

Hermeneutic Philosophy and The Sociology of Art
Janet Wolff

Hermeneutics
Jens Zimmermann

http://russellmoreton.tumblr.com/archive

Working Towards a Secular Retreat in the Landscape

The 'exigencies' of the situation at hand.

Tim Ingold, MAKING.

 

Spatial Intelligence

New Futures for Architecture

Leon van Schaik

Spatial intelligence builds our mental space.

 

Sensing Spaces

Architecture Reimagined

 

Oak-Framed Buildings

Rupert Newman

 

Heidegger for Architects

Adam Sharr

 

MAKING

ANTHROPOLOGY, ARCHAEOLOGY

ART AND ARCHITECTURE

Tim Ingold

Touching objects, feeling materials

The Cathedral and the Laboratory

 

A Hut of One's Own

Anne Cline

 

Solar Pavilion

Alison and Peter Smithson

Architecture is not made with the brain

The Parallel of Art and Life

Aesthetics about Perception

Poetics about Production

 

HERZOG & DE MEURON

NATURAL HISTORY

My studio is a piece of architecture that is silent.

Speculative Architecture

On The Aesthetics of Herzog & De Meuron

Robert Kudieka

 

The Thinking Hand

Existential and Embodied Wisdom in Architecture

Juhani Pallasmaa

 

The Architecture of Natural Light

Henry Plummer

 

Peter Zumthor

Hortus Conclusus

Serpentine Gallery Pavilion

 

The Potentials of Spaces

The Theory and Practice of Scenography and Performance

Alison Oddey, Christine White

 

See Yourself Sensing

Redefining Human Perception

Madeline Schwartzman

 

Collage and Architecture

Jennifer A. E. Shields

 

COLLAGE

Assembling Contemporary Art

Sally O'Reilly

Construction/Abstraction

Body/Identity

Environments/Geographies