Monday, 13 February 2017

Working Spaces : Force Fields, sign and trace




Contents List from a folder in the Theatre of Research

 Unlike a Library the Theatre of Research is a working space that creates and crafts both theoretical and practical objects, things and documentation. Its reason for being is to explore the praxis for creative narratives between the Arts and The Humanities.


Chora Body and Building
Space as Membrane

Chora (Exhibition) 1999

Lessons of a dream. Karsten Harries

Concrete Blonde: Joanna Merwood
A probe into the negative spaces where mysteries are created.

Surrealist Paris : Dagmar Motycka Watson
The non-perspectival space of the lived city

Body and Building : George Dodds
Essays on the changing relation of body and architecture.

Sphere and Cross : Karsten Harries
Vitruvian refections on the Pantheon Type

Body and Building : Marcia f. Feuerstein
Inside the Bauhaus’s Darker Side

Desiring Landscapes/Landscapes of Desire. George Dodds

A Tradition of Architectural Figures: Marco Frascari

Interwining Metamorphoses : Germano Celant
On the work of Guiseppe Penone

Space as a Membrane : Siegried Ebeling















Sensorium : Embodied Experience, Technology, and Contemporary Art.

https://citythroughthebody.files.wordpress.com/2013/08/sensorium.pdf





Saturday, 11 February 2017

"into a universe of creative enchantments" Guattari



 The French thinker Felix Guattari, in a powerful historical essay, has asked some fundamental questions about the direction in which the century and its achievements in technology are taking us; he calls for a new vitality in the relations between individuals and the language of the culture they inhabit:' Unconscious figures of power and knowledge are not universals. They are tied to reference myths profoundly anchored in the psyche, but they can still swing around toward liberatory paths/voices.' He too sketches the possibility of a utopia, dreaming of 'transforming this planet - a living hell for over three quarters of its population - into a universe of creative enchantments'.

Marina Warner, From the Beast to the Blonde (p418)