Wednesday, 1 September 2021

The Thinking Hand

"It is precisely where the reach of the imagination meets the friction of materials, or where the forces of ambition rub up against the rough edges of the world, that human life is lived"

The Sighted Watchmaker : Making, Tim Ingold .2013
Anthropology, Archaeology, Art and Architecture.



Joseph Beuys : Table with Accumulator 1958-85

In this work, an accumulator – a kind of rechargeable battery in which energy can be stored - is attached by wires to two pieces of clay, as if drawing power from the earth itself. For Beuys, the production and storage of energy was a metaphor for the creative and spiritual energy that he wanted to foster both in the individual viewer and in society as a whole. This was one of the works that Beuys included in the 1982 Zeitgeist exhibition, accompanying the various elements of Lightning with Stag in its Glare.


TheThinking Hand : Existential and Embodied Wisdom in Architecture.

Juhani Pallasmaa






Collage, fragments from pinhole camera, Atelier of Jean Dominique Fleury, glass work by Pierre Soulages.




Art and Agency : The Evolving Curriculum (axes of coherence/amongst motifs, Alfred Gell )

Without the agency of time and light, there is no record.

Friday, 27 August 2021

Drawing and Assemblage/ Field Perspective and Shadows : Cyanotype Process

P3228227a : Engineering Blueprint on Watercolour Paper. 2011
Slumped glass panel " evolved " from a head gasket (Hillman Imp) and a note recording failing compression readings.

Drawing and Assemblage : Cyanotype process on watercolour paper with lead profiles.

Terrestrial Movements  : #2  Solar Spore.

Aerial Composition (movements inside the Cathedral) : Cyanotype and Sunlight.

Panspermia Exodus  2011
Blueprinted drawing with pierced markings taken from research material gathered whilst registering "Space for Peace" Winchester Cathedral.

Field Perspective and Shadows.
Blueprint from pinhole camera
http://theyardstudioswinchester.com/section/434901_Yard_Metre.html

The Fleeting Cathedral
http://s3.otherpeoplespixels.com/sites/47308/resume.pdf



























Wednesday, 25 August 2021

Immaterial Architecture : Collage/Enumeration of Visual Information


Immaterial Architecture : The Glass Observatory

Site Drawing : Speculative Fields/Spatial Practices
Site Writing/Place Making
Collage/Enumeration of photographic elements

Antique Glass Sample : Seedy Handblown
Photograph of light, surface/shadow and projection

Reading Room
Research Collage















Monday, 23 August 2021

Borderless Projects/Art, Science, Literature, Philosophy : Entangled Inquiry/Visual Simulations/Diffractive Movements of Flight

Reflective Journal : Diffusion/The Time Machine. Borderless Projects/Strange Attractors.

Digital Still : Alternative Processes, Tate Modern.
Photography and Architectural Space.

Concrete Surfaces : Anatomy #2
Dark Gothic Sensuality
Contact Photography
Science and Art

Interior : Gridshell
Singleton Open Air Museum

Church Ruins
Covehithe
https://www.flickr.com/photos/russellmoreton/33526496926/in/photostream/



















Sunday, 22 August 2021

Architectural Abstracts/Drawing Traces

London/Millennium Bridge : Architectural Abstracts/Drawing Traces
Spatiality, Cognitive Mapping, and The Theory of the Novel.
Robert T. Tally Jr.

P1170047 Interior
Artist Book, Leylines/Alternative and Speculative Photography

P1179907 Pinhole Photography  Image

P1179822 Cathedral










https://www.flickr.com/photos/russellmoreton/albums/72157666051135639

Friday, 20 August 2021

Indexical Agents/Diaphanous Shadows/Simulacral Surfaces : Photographic apparatuses of displacement and infinite deferral

 






Pattern and Chaos/Liminality/Tectonics

CELL COURT DOMAIN FIELDS

Architectural surface for a Library,  raw materials, light, silence and solitude. 

 

Anachronistic Durations : Recording infinite deferrals, documentations/framings/fictions of presence and absences.  

Postcard/Star Atlas :  Cyanotype (used as index for recorded disc)


Photography by dramatising the contingency of negative and positive states, draws attention to the instability of absence and presence


Cameraless and Photogenic Drawing : Indexical products of events, spatial agency.

Reinvention of the photographic diagram as the spatial record that articulates the continuum of  space and time as an event.

Privileging of the claims (new artistic languages) of the indexical sign (Krauss, uncoded immediacies/terminologies)

Anna Atkins, specimens (photographic subjects) not focused but touched, framed and flattened to create a legibility from their indexical presence.

The simple blueprint is an archaic survivor of a more primitive era (Child Bayley 1906)

Cyanotype, a historical method (1842 Herschel) registering a negative image in which the white lines of the resultant cyanotype print the materiality of the object against the darkened areas of Prussian blue that were exposed to light.



Verso


A for Andromeda, BBC4 27.03.06 90 minutes

1973 Romantic Poets

Disc Full 


Material Agency : Carl Knappett, Lambros Malafouris

Visualising Environmental Agency

Pastoral Space: Material, Inquiry and Craft.


"Agents are defined as persons or things, which have the ability and intention to "cause" something "in the vicinity" or "in the mileau" to happen ( Gell 1998)"

"These latter artefacts are described with the term "index", to remove the appellation "art" and to imply that they are indexes of agency."

Some Stimulating Solutions, Andrew Cochrane.





Filament, cyanotype drawing on lightweight paper 2010.

Chapel Arts Studios, Andover.