Sunday, 31 March 2024

Curatorial Architectures/Assemblages : Transactive through interventions/a sensorium for display.

Matter/Making in Space : Passages in Sculpture

Working Notes 2018/19

Curatorial Architectures/Assemblages

Speculative Spatial/Curatorial Practices incorporating Fine Art and Architecture.


The Studio is no longer a retreat but it now integrates.

It is all exterior.

Ways of Curating, Hans Ulrich Obrist








Constructing active research material that becomes transactive through interventions and installations of display.


Blurring art and the everyday rituals of creative enterprise and survival.


Seeking to create innovative and immersive exhibition formats/situations that seek to engage a discursive and informed audience.


Building Relationscapes

Movement, Art, Philosophy 


Sensorium

Embodied Experience

Technologies and Contemporary Art 


Erin Manning

Caroline A, Jones


Playing with INTERTEXTUALITY

Setting the Stage MAKE SPACE

Immersive

Alienated

Interrogative

Residue

Resistant

Adaptive



Interactive Workshop

Exhibition

Presentation

Open Texts


RESPONSIVE ENVIRONMENTS

ARCHITECTURE, ART and Design Interiors


URBAN FALLOW (10 Days in the Laundry)


OPERATIVE DESIGN

CONDITIONAL DESIGN


ON MAKING SPACE

THE FEELING OF WHAT HAPPENS

BODY, EMOTION and the Making of Consciousness


Art Practices : the chaos of subjectivity and the organisation of  a creative environment.

Tuesday, 19 March 2024

Collage: Diversions, Contradictions and Anomalies.

 Collage: Diversions, Contradictions and Anomalies.


Collage's integral methods of discordance and displacement have so insistently reflected turbulent developments in twentieth century art, science and geopolitics that our response might be to categorise the whole genre as iconoclasm or subversive fantasy.

Sally O'Reilly





















Space and Place
THE PERSPECTIVE OF EXPERIENCE
Yi-Fu Tuan


1959 : Patti Smith
Peace and Noise


Lingering at the threshold between word and image
Cy Twombly
Claire Daigle

Although his work resonates strongly with generations of younger artists, ranging from Brice Marden to Richard Prince to Tacita Dean to Patti Smith, it has a general propensity to polarise its audience between perplexity and unbridled admiration. 

Certainly, the fortuities of a name are being pushed too far here, but what does Twombly do but offer up words in all of their resonance: literal, metaphoric, corporeal, material? His citations often have the vanitas effect of graffiti: ‘Cy was here’. Lingering at the threshold between word and image, Twombly renders visible those things – experience, emotion, the body’s share – that lie beyond the reach of verbal articulation.



Research Material
Photographic Drawings


PETER ZUMTHOR ATMOSPHERES

Architectural Environments
Surrounding Objects
2006 Birkhauser, Basel, Switzerland.