Digital Still : Alternative Processes, Tate Modern.

http://russellmoreton.tumblr.com/
Digital Still : Alternative Processes, Tate Modern., a photo by Russell Moreton on Flickr.

Photography and Architectural Space.

01/07/2013

Photograph (702) Tidbury Ring

Photograph (702) Tidbury Ring, a photo by Russell Moreton on Flickr.

25/10/2012

Twilight Abstractions : Liminal Zones/Psychological Realities

Twilight Abstraction : Liminal Zone., a photo by Russell Moreton on Flickr.

La Jetée "a fusion of science fiction, a psychological fable"

Textual Realities, J G Ballard on Chris Marker.

P6120006 MOV

CCTV Installation/Visual Fine Art.

UK based Visual Artist using drawing and experimental photography to explore issues around embodiment. Interested in creating spatial charged architectural interventions using glass and ceramics as conductive and introspective spaces, surfaces and structures between buildings.

Pinhole Camera/Molecular Sieve Drum : Time as a structure and an event #1

Time as a structure and an event #1, a photo by Russell Moreton on Flickr.

Seeing Dark Things : Chemical Photography/Images from the darkroom.

 Concept of a 'Filtow'

A filtered radiance emanating from a vessel not an object interrupting a beam of light.

Seeing Dark Things.

Roy Sorensen.

The thing contained is not the thing contained.

The spherical intersection space was also crafted in curved thin wood layers.

Steven Holl.

The Representation of Deep Time.

The Mutability of Colour Relationships.

Unleashed Colour World.

Manifestations of Unhindered Radiance.

Albers, yellow square.

Monrian, square of yellow in its field of white. 

For both Mondrian and Winifred Nicholson, colour concentrates light and transforms the world.

Flowers were sparks of light.

I used flowers as chalices of light to make my own pictures.

My Cibachrome darkroom has been as much a domestic space as the Alber's basement and Winifred Nicholson's farmhouse kitchen. They are places where ideas about the emotional range of a yellow square can exist as naturally as reflections and shadows cast by the sun and moon.

In this new colour world of mine, the circle became nature, and the square became thought.

 

The circle and square together embody what I think of as human nature.

Dark Room, Garry Fabian Miller.

Generating an Aura.

Fusing and Pulsating Pigment.

Pinhole Photography 

Photo Tin/Medium.

Cromer.

Raveningham.

Site Cyanotypes/Drawings/Intermediaries

Spatial Collages Reconfigured  

Urban Fallow : The Old Hyde Laundry

Architectural Intervals
Emergent Localities
Spatial Diversions

Photography through analogue sources

Photographic Spatialities : Geographies of Art and Architecture.

 Images/Energies/Collages : Core, Periphery and Semiperiphery : 

Landscape/Slow Motion : A Porous Atmosphere of Light/Experience

River Waveney, Mendham Marshes













The Experience of Landscape

Landscape, Memory and Desire

An Anthropology of Landscape

Up, Across and Along

Slow Motion

Tim Ingold

Alternative Realities : Experimental documents, visual material from site based projects.

Twilight Abstraction : Liminal Zone.

Marking Stick : Leylines, Directions and Sites.

Found Objects : Archaeological Photogram
When you make photograms, without the use of a camera, you can indeed call that abstract photography, as the lens and the corresponding registration medium are lacking. No longer do you have pictures of reality or objects; you only have their shadows. It is a bit like Plato’s cave, where one could only imagine reality; the objects themselves were not visible.
—Thomas Ruff

Waverley Abbey, interior with pinhole camera

Distant Readings : Reflective Journal 2013. #7

Reflective Journal 2013. #7, a photo by Russell Moreton on Flickr.

On The Beach : Photographic Clouds of Potentialities/Boundary Based Agency

Inside Phenomena/Catching The Light
Wind Turbines : Coastal Geometries/Machines
North Sea Rim
Sea Palling
Visual Device : Textual Intervention

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times

Existential Gestures : Looking away from the sea
Low Tide
Lightness
Quickness
Exactitude
Visibility
Multiplicity
CONSISTENCY/Guattari
The Three Ecologies

Italo Calvino
Six Memos for  the Next Millennium

Locality/Social Complexity- Notebooks
Flux : Consciousness
In and Out of Material
Beach