Art and Anthropological Concerns : Spatial Agencements : Processual Circulations.

Material absorbed in its own thoughts :

Wednesday, 30 January 2013

Transposition : The Chamber #2

Transposition : The Chamber #2 by Russell Moreton
Transposition : The Chamber #2, a photo by Russell Moreton on Flickr.

Merging spaces through archival processes.

Posted by Russell Moreton at Wednesday, January 30, 2013 No comments:
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Labels: alternative photography, archival processes, art practice, chamber, historic site, installation, interior, leylines, merging spaces, photography, russell moreton, site, warped space

Tuesday, 29 January 2013

Meditations on Snow and Paper : Interior Landscapes of Winter 2012.

Meditations on Snow and Paper : Interior Landscapes #7Meditations on Snow and Paper : Interior Landscapes #6Meditations on Snow and Paper : Interior Landscapes #5Meditations on Snow and Paper : Interior Landscapes #4Meditations on Snow and Paper : Interior Landscapes #3Meditations on Snow and Paper : Interior Landscapes #2
Meditations on Snow and Paper : Interior Landscapes #1

Meditations on Snow and Paper : Interior Landscapes of Winter 2013., a set on Flickr.

Posted by Russell Moreton at Tuesday, January 29, 2013 No comments:
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Labels: accumulation, art, creative practice, Landscape, meditations, merging spaces, photography, snow, studio, traces, track, transparency, walking, waymarking, winter

A Short History of Myth : Karen Armstrong.

Posted by Russell Moreton at Tuesday, January 29, 2013 No comments:
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Labels: A Short History of Myth, art research, beliefs, content's page, curiosity, development of myth, George Steiner, history, humanity, Karen Armstrong, Prehistory, present day, privacies of our existence, stories

Mapping Movements in Spatial Registers. #5

Mapping Movements in Spatial Registers. #5 by Russell Moreton
Mapping Movements in Spatial Registers. #5, a photo by Russell Moreton on Flickr.

Architectural Template : Interior Spatial Mappings. Social space with registered movements on site at Winchester Cathedral (Space for Peace 2013)
Posted by Russell Moreton at Tuesday, January 29, 2013 No comments:
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Labels: art, diagram, dimensions, drawing, event, interior spaces, material, perspective, photography, pierced, process, social space, space, spatial practice, template, time

Monday, 28 January 2013

Inseparable Attendant, with drawings.2011

Inseparable Attendant, with drawings.2011 by Russell Moreton
Inseparable Attendant, with drawings.2011, a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Monday, January 28, 2013 No comments:
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Labels: art, cyanotype, display, drawing, immaterial, light, material, memory, shadow, space, substance, surfaces, transpositions, visual, Winchester Cathedral

Sunday, 27 January 2013

Human trace drawing with unfired clay bodyscape 2010

Human trace drawing with unfired clay bodyscape 2010 by Russell Moreton
Human trace drawing with unfired clay bodyscape 2010, a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Sunday, January 27, 2013 No comments:
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Labels: abstract form, anthropology, art, astronomical, bodyscape, Clay, drawing, installation, mapping, markings, material, outline, pierced, sculpture, traces

Saturday, 26 January 2013

Words of Light : Theses on the Photography of History. Eduardo Cadava. 1997

Posted by Russell Moreton at Saturday, January 26, 2013 No comments:
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Labels: content's page, dialectical images, Eduardo Cadava, forms, fragmentary, history, photography, Walter Benjamin, Words of Light

Sculpting in Time : Tarkovsky.1987

Posted by Russell Moreton at Saturday, January 26, 2013 No comments:
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Labels: actor, audience, book, cinema, contents, director, editing, film, imprinted time, rhythm, script, Sculpting in Time, Tarkovsky, the filmic image, time

Drawing Board : Building across immateriality. 2010.

Drawing Board : Building across immateriality. 2010. by Russell Moreton
Drawing Board : Building across immateriality. 2010., a photo by Russell Moreton on Flickr.

Posted by Russell Moreton at Saturday, January 26, 2013 No comments:
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Labels: board, conduit, connectivity, drawing, generative, intermediality, light, mapping, montage, nodes, process, projection, spaces, studio, temporal, working drawing
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Assemblages for Inquiry/Reading (Circus, Sea, Ruin)

  • The Moving Figure : Sociological/Corporeal/Subjective
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  • Experimental Photography

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Russell Moreton
Harleston, Norfolk, United Kingdom
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