Showing posts with label thinking. Show all posts
Showing posts with label thinking. Show all posts

Friday, 18 July 2025

Spatial Bodies/Visual Art Practices : Material Assemblages/Drawing : Cultivation Fields/Thinking Diffractively

Matter(s) of Inquiry : Abject(ion) Gathering Affective Energy.

Affective Formulation : Processual/Durational Material Flows/Mattering Matter(s).

Transitional Compositions and Events/Anti-Objects. 

















‘We are composed of matter and live in the midst of matter. Our objective should not be to renounce matter, but to search for a form of matter other than objects. 

What that form is called-Architecture, Gardens, Technology- is not important.’
Kengo Kuma.


On Anti-Object : An extended essay that is not so much history or theory as a volume of self-assessment that gives an opportunity for the author to contextualise his own body of work through considered self-reflection.

‘A monument is a form that preserves time through the compression of space, a form in which visual perception is the parameter. A monument is a compression of time and space’ (Kuma,2008:92) Anti Object.

‘My purpose in writing this book is to criticise architecture that is self-centred and coercive.’ Kengo Kuma.

‘Like McTiernan or the theorist Paul Virilio, Kuma sees new digital and information technologies as leading us to an aesthetics of disappearance, rather than image or form.(Steele,2008:3)

‘My ultimate aim is to erase architecture’(Kuma,2008:3)
How then, can architecture be made to disappear?


Saturday, 30 December 2023

Anthropological Entanglements/Emergent Landscapes : Strange Tools/The Rings of Saturn

 






Walking into Emergent Landscapes : Covehithe Beach

The OLD WAYS, a JOURNEY ON FOOT, Robert Macfarlane

“ Walking was a means of personal myth-making, but it also shaped his everyday longings:

Edward Thomas not only thought on paths and of them, but also with them.”



“To Thomas, paths connected real places but they also led out-wards to metaphysics, backwards to history and inward to the self. These traverses- between the conceptual, the spectral and the personal-occur often without signage in his writing, and are among its most characteristic events. He imagined himself in topographical terms.”


DSC_0585 Covehithe : Walking/Thinking/Physical Entanglements in the Landscape


Natural History : Dried Carnations


Blueprints : Anthropological Forms

Botanical traces with leper graves


https://www.flickr.com/photos/russellmoreton/

Contexts:

Art therapy , Exhibition , Open studio , Practice-based research,

Artforms:

Film & video , Painting , Photography , Printmaking,

Sunday, 13 August 2023

Grisaille Patterning : Drawing into/Dwelling with incipient movements of interference and negotiation.

Divergent Practices/Choreographic Thinking

Exploring and Activating/In and Out of Material.

Painting/Choreography divergent propositions on the verge of things.






https://www.flickr.com/photos/russellmoreton/


For Erin Manning, thinking choreography as a technique for bringing to expression the patterning of incipient activity towards the definition of a movement-event, an activist philosophy. 

Grisaille Patterning/Fielding Thinking : Landing Sights/Painting Surfaces/Mapping/Choreutics 

Painting and Mapping/Choreutics 

Chaos, territory, art, Deleuze and the framing of the earth.
Elizabeth Grosz

Spirituality in Contemporary Art, the idea of the Numinous
Jungu Yoon

Peter Zumthor, Atmospheres
Architectural Environments : Surrounding Objects

House : Black Swan Theory
Steven Holl

Architectural painting for glass exploring slowness and repetition.

An Anthropology of Landscape
Christopher Tilley
Kate Cameron-Daum


lightness, luminosity, fluid, hybrid media, material, 
asperity, field, gesso, molochite, yellow ochre

















Monday, 26 June 2023

Vessels/Thresholds/Circulating Objects : An object becomes the threshold for thinking feeling.



An object becomes the threshold for thinking feeling.

We perceive-with objects catching the edges of their contours, participating in the relations they call forth.

Relationscapes/Erin Manning.









Cyanotype/Artist's Book, Paul Soldner pot with astronomical data.



Postcard/Star Atlas :  Cyanotype (used as index for recorded disc)

Verso

 

A for Andromeda, BBC4 27.03.06 90 minutes

 

1973 Romantic Poets

 

Disc Full



Monday, 12 December 2022

The Geography of What Happens : Environment/Perception



The Perception of The Environment, Livelihood, Dwelling and Skill. Tim Ingold.
Archaeology, Anthropology, Art and Architecture.


“ We live amongst the specta of destructive mythologies, that have been narrowly racial, ethnic, denominational and egotistic, all culminating in the condition to exalt the self by demonising the other.”

“Eliot laid bare the sterility of contemporary life, The Waste Land where people live inauthentic lives”

A Short History of Myth, Karen Armstrong
The Ruins, a wasteland, fragments of a spiritual integration.










The Existential Value of Design

“Design as” Tools and Apparatuses for Spatial Practices/Deeper Social Ecologies (crafting and constructing new political genres)

The responsibility of “Design” in the development of an experimental rather than a representational approach to the social sciences, the arts and the humanities.


An Architectural Interior that through “Listening to, and working in the Landscape” can produce a creative reverie, manifested by materials and acts; and through innovation and creativity produce a deeper ecology for learning that is able to keep abreast of our technological genius.


PRACTICAL ISSUES.
The Geography of what happens, Space, Politics and Affect.


DE-Fusing URBANISM

Paths and Thinking with them

The OLD WAYS, a JOURNEY ON FOOT, Robert Macfarlane
“ Walking was a means of personal myth-making, but it also shaped his everyday longings:
 Edward Thomas not only thought on paths and of them, but also with them.”


“To Thomas, paths connected real places but they also led out-wards to metaphysics, backwards to history and inward to the self. These traverses- between the conceptual, the spectral and the personal-occur often without signage in his writing, and are among its most characteristic events. He imagined himself in topographical terms.”

“Macfarlane has a rare physical intelligence, and his writing affords total immersion in place, elements and the passage of time” Antony Gormley

What do I know when I am in this place that I can know nowhere else?

What does this place know of me that I cannot know of myself?

HEIDEGGER’S TOPOLOGY
BEING, PLACE, WORLD. Jeff Malpas

The Deeper Significance of The Sensory World
Beauty, Roger Scruton


Walking into Emergent Landscapes : Covehithe Beach

Deeper Darkness, Photographic Memory/Process, Metonymy, Negative,
Analogue, Negated Nocturne. Walking, Others, Presence, Becoming,