Wednesday, 10 May 2023

Confronting The Human Body : A Body Of Relations

 Outpost 270423


Temporal Demarcations.

Figural Workshop.

Confronting The Human Body.












The Psychology of Nakedness.

Looking/Showing/The Eye/The Gaze.


In the scopic field, the gaze is outside; I am looked at, that is to say, I am a  picture.


The spectacle of the world, in this sense, appears to us as all-seeing, this all-seeing aspect is to be found in the satisfaction of a woman who knows that she is being looked at, on condition that one does not show her that one knows that she knows.

Jacques Lacan.

What is a Picture.

The Split between The Eye and the Gaze.


A Body of Relations.

Reconfiguring The Life Class.


In the article What is a Picture? Jaques Lacan relates the space between the gaze and the eye to the 'screen'. The 'screen' allows the simultaneous perception and projection of the image. In the life class, Lacan's gaze is significant for the life model and the artist as it formulates the intentions of the psychological engagement and reveals the fundamental pursuit of desire in the methodology of life drawing practice. The subject needs to become an object of its own 'scopic drives' and therefore possessed by the perception of others. Lacan's gaze is somewhat estranged from the body, as it never allows for subjectivity to be fully complete.

Yuen Fong Ling. 2016




Palimpsest/Involuntary Surfaces.

Drawing/Corporeal Intertwinings of body/space.

Bodyscapes/Movements/Materials.

Haptic/Visual Abstractions.

 

Life Class/Drawing.

The contested space/subject of the nude as a form of art.

The Impossible Nude.


Transfer/Temporal/Media.


Dyeline Sheet/Rolled Inked Surface.  


Charcoal/Burnt Umber/Pencil


Shading Colour/Glass Pigments/Fired Glass.



Tuesday, 9 May 2023

Seeing Dark Things : Chemical Photography/Images from the darkroom.

 Concept of a 'Filtow'


A filtered radiance emanating from a vessel not an object interrupting a beam of light.


Seeing Dark Things.


Roy Sorensen.










The thing contained is not the thing contained.


The spherical intersection space was also crafted in curved thin wood layers.


Steven Holl.




The Representation of Deep Time.


The Mutability of Colour Relationships.




Unleashed Colour World.


Manifestations of Unhindered Radiance.


Albers, yellow square.


Monrian, square of yellow in its field of white. 






For both Mondrian and Winifred Nicholson, colour concentrates light and transforms the world.




Flowers were sparks of light.


I used flowers as chalices of light to make my own pictures.




My Cibachrome darkroom has been as much a domestic space as the Alber's basement and Winifred Nicholson's farmhouse kitchen. They are places where ideas about the emotional range of a yellow square can exist as naturally as reflections and shadows cast by the sun and moon.




In this new colour world of mine, the circle became nature, and the square became thought.


 


The circle and square together embody what I think of as human nature.


Dark Room, Garry Fabian Miller.







Generating an Aura.


Fusing and Pulsating Pigment.






Pinhole Photography 


Photo Tin/Medium.


Cromer.




Raveningham.


Site Cyanotypes/Drawings/Intermediaries


Spatial Collages Reconfigured  

The Darkroom's Erasure, a second lecture by Garry Fabian Miller

Friday, 5 May 2023

Blue Planet : Bioscleave/Blue Particle Cloud/Diagram.

 







ARCHITECTURAL Body

An ORGANISM that PERSONS

Gins and Arakawa 2002


Although the human condition is a crisis condition if ever there was one, few individuals and societies act with the dispatch a state of emergency requires. The fact that the human condition is a crises condition gets routinely covered up, with culture invariably functioning to obscure how dire the condition is and to float it as bearable


If organisms form themselves as persons by uptaking the environment, then they involve not only bodies but domains, spheres of activity and influence 


Start by thinking of architecture as a tentative constructing toward a holding in place. Architecture's holding in place occurs within and as part of a prevailing atmospheric condition that others routinely call biosphere but which we, feeling the need to stress its dynamic nature, have renamed bioscleave

Procedural Architure/Architectural Body 

Gins and Arakawa


The role of architecture as a tool for researching the body-environment towards the implementation of these considerations is paramount

The goal of an experimental teaching and learning space based on architectural procedures would be that the process of design and construction would allow students/staff to rethink, re-imagine and enact the curriculum

An Arakawa and Gins Experimental Teaching Space/A Feasibility Study 2013

Jondi Keane


An Architecture of Viability

To help to sustain one throughout life/ to stay tentative

Bioscleave House as an inter-active laboratory of everyday life 


Wayfinding (unpacking discourse/meaning) through Landing Sites and Architectural Bodies

What is the metachallenge that bioscleave demands of us? Is it, I propose, wayfinding, a wayfinding defined at many scales from finding one's way as a person to finding one's way in a strange physical or social environment

Exploring the Roles of Trajectoriness, Affectivatoriness, and Imaging Along 2013

Reuben M. Baron



Figure/Ground : Double Occupations of Discourses and Events (relationships/co-existances)

So as a diagram (performative agent), the figure/ground does not function to represent even something real. But rather constructs a real that is yet to come (theoretical object/apparatus) as a new type of reality

Situated Field/Constructed Site of People, Institutions, Apparatuses, Events, Discourses


We see intraventions as heuristic devices, as apparatuses that are imbued with a will to transform.

The intravention is not autonomous but contingent and relational and dependent on many other things

The intravention is made as it happens, and it makes us at the same time

Immediate Architectural Interventions, Durations and Effects

Oren Lieberman, Alberto Altes


AEffect initiating Heuristic Life

Procedural architecture, developed in both their written and buillt discourse, providing a process by which to connect theory to practice, disciplinary inquiry to knowledge and art to life

Research should be conducted , not in a library or laboratory but where living happens, enabling the complexity of relationships to be studied within and across the organism-person-environment 

Jondi Keane



Carnal Knowledge

Towards a New Materialism through the Arts

Estelle Barrett, Barbara Bolt



To provide observational heuristic devices so that persons may devise transformational and reconfigurative opportunities


Heuristic tools whether built hypothesis or discursive sequences, are of no use if they do not provide a way forward, a way of learning


This house is a tool, a procedural one

A functional tool, whether it be a hammer, a telephone, or a telescope, extends the senses, but a procedural tool examines and reorders the sensorium


Interlude : Cornering a Beginning

An object becomes the threshold for thinking feeling

Relationscapes : Movement, Art, Philosopy

Erin Manning 


Born into a new territory, and that territory is myself as organism. There is no place to go but here. Each organism that persons finds the new territory that is itself, and having found it, adjusts it


Ellipsis,(gaps in everyday narratives) 

The Construction of Representation of Identity

Using their bodies and immediate surroundings and environment as both subject and context

An Organism-Person-Environment

You cannot see me from where I look at myself

Francesca Woodman


An organism-person-environment has given birth to an organism-person-environment

Bioscleave


Chaos, Territory, Art

Deleuze and the framing of the earth

Elizabeth Grosz


Body, Personal Relations, Spatial Values

Upright Human Body : Space and Time

Yi Fu Tuan


Figuring It Out

The Parallel Visions of Artists and Archaeologists

Colin Renfrew


The act of relating is analysed as a constitutive feature of human agency. Relating is viewed as the continuous work of connecting and disconnecting in a fluctuating network of existential events

Categories and things may make it easier for us to grasp reality but they also hide its underlying complexities

Relationality 2005

Robert Cooper


https://www.flickr.com/photos/russellmoreton/

Brian Clarke : The Art of Light



Godfrey Reggio
We have art so that we may not perish by the truth
Friedrich Nietzsche

Water and Dreams
An essay on the imagination of matter
Gaston Bachelard 

Architecture was no longer an autonomous and isolated discipline but it now participated in the movement and confrontation of ideas.

Architecture In/Between
Bernard Tschumi 







Monday, 1 May 2023

Littoral Zones

Littoral Zones by Russell Moreton
Littoral Zones, a photo by Russell Moreton on Flickr.

Landscapes of the Metropolis of Death, Otto Dov Kulka

"Elegiac, poetic and extraordinarily important, these deeply moving recollections vividly convey the horror of the death-camp. One of the most remarkable testimonies to inhumanity that I know"

Ian Kershaw

www.penguin.co.uk/nf/Book/BookDisplay/0,,9781846146831,00...

Omslagsfoto : Russell Moreton

Wednesday, 26 April 2023

Diffractive Title/Things : The thing contained is not the thing contained.

 Outpost 240423


The thing contained is not the thing contained.

Manifesto for explorations of 'IN'

Steven Holl.


You Are The Weather.

Roni Horn.


Rich Lyrical Motifs.

Brilliant Trees.

Within each lesson lies the price to learn.

David Sylvian. 








Alternative Photography/Filtered Radiance

Documents from research archive







Seeing Dark Things

Roy Sorensen. 2008


Tracing Light : Petworth House, West Sussex 2000

David Alan Mellor, Garry Fabian Miller.


Light And The Genius Loci

For Derrida, the sun not only marks the beginning of metaphoricity but it is also an inescapable reminder of the solar system and oscillations, hidings and occultrations, inherent in 'a certain history of the relationships; earth/sun inthe system of perception'.


Mutations Of Light

Petworth Window, 6 July 1999


Light's Windows And Rooms

Passing towards the Invisible.

The prospect of some metaphysical realm beyond the blue end of the spectrum and beyond material things illuminated to carnal sight, was a recurrent  theme in William Henry Fox Talbot's early speculations.


CATCHING THE LIGHT

The entangled history of light and mind

Arthur Zajonc


BROUGHT TO LIGHT

PHOTOGRAPHY AND THE INVISIBLE 1840-1900





Sight Unseen

Picturing The Universe

Corey Keller

Invisible objects, penciled by nature's own hand.

In his introduction to the exhibition catalogue Iconoclash: Beyond the Image Wars in Science, Religion, and Art, the historian of science Bruno Latour argues that scientific pictures are powerfully affective because they more than mere images; they are, as he puts it, the 'world itself'.


The Social

Photographic Eye

Jennifer Tucker

Nineteenth century science was characterized by both the appeal to visual evidence and the need for confirmation by the testimony of eyewitnesses. The latter explains why scientists pursued public viewings of their photographs by means of illustrated slide lectures, exhibitions, and reproduction in newspapers and magazines.

An understanding of the social boundaries of nineteenth century science helps make sense of a certain paradox within contemporary attitudes towards photography of the invisible. The ideal of mechanical objectivity in documenting visual knowledge demanded the elimination of the artist-observer and all of the subjectivity implicit in drawing by hand. 


Invisible Worlds

Visible Media

Tom Gunning

William Henry Fox Talbot, Slice of horse chestnut, seen through the solar microscope, 1840, salt print 18.6x22.5 cm.


Techniques Of The Observer

On Vision And Modernity In The Nineteenth Century

Jonathan Crary

The Camera Obscura and its Subject

Above all it indicates the appearance of a new model of subjectivity, the hegemony of a new subject-effect. First of all the camera obscura performs an operation of individuation; that is, it necessarily defines an observer as isolated, enclosed, and autonomous within its dark confines. It impels a kind of askesis, or withdrawal from the world, in order to regulate and purify one's relation to the manifold contents of the now 'exterior' world. 


UNDER THE SUN

By The Light Of The Fertile Observer

Metaphors of illumination in the photography of Christopher Bucklow, Susan Derges, Garry Fabian Miller, and Adam Fuss.

An Epiphany Of Light

David Alan Mellor


Christopher Bucklow , Guests



Jeanette Winterson, Gut Symmetries

Matter is provisional and that includes me. If the physics is correct then we are neither alive or dead as we commonly understand it, but in different states of potentiality.












Finding enlightenment in the ground beneath one's feet.

J. G. Bennett.


Walking/Thinking with Ideas/Observations.

Site Drawings and Observational Mappings.

Cultivation Field.

Artist's Development.

Planting Research

Vital Nourishment.


Raveningham Garden Project.

Circle/Linear Time/Centred on objects.

Spiral/Deep Time/Awareness between things.

Architectural Ceramics.


Inseminations/Sketchbooks

Working Ideas/Proposals into Matter/Making


Contents/Description/Instructions/Diagram/Drawing


Curatorial.

Spatial Practice.

Practice/Display/Audience.

 


Hungate.

Julian 600.

Cell/Seeds/Dispersal/Cloud

Organism-Person-Environment



Anglian Potters

5 Years of membership/exhibition/making.


Commissioning of 12 cu ft Gas Kiln.

Kiln Craft Glass Kiln.

Momentum Wheel, refurbish/rebuild.


Drawing Confrontations of Flesh and Bone.

From Models to Drawings.

Figuring It Out.

Anatomy/Art/Photography : Living/Deceased/Represented.

The Body on Display.

From Naked to Nude.

The Impossible Nude.


The Psychology of Nakedness.

Confronting the human form both practically and theoretically.

Vital Nourishment.

Aesthetics in Western Art and Chinese Culture.


Georg Eisler.

Francois Jullien.