Overspilling with Viscous Light~The Excess of Changefulness~Openings

Forward to The Sympathy of Things, Lars Spuybroek.

We see the excess of changfulness, at once immanent to and over spilling the structural integrity of the form.

Brian Massumi.

Overspilling Forms~Sympathy~Abject(ion)

Light forming compositions, architectures of processual excess.

An untimely beauty that will not stand still in its place.

Interiors, intimate sociological thresholds.

Spatial Bodies : Capacitors Of Light and Dark.

Visual Minor Keys : Gestures of sympathies/colour thoughts in a relational field.

https://www.flickr.com/photos/russellmoreton/

Littoral Zones

Littoral Zones, a photo by Russell Moreton on Flickr.

Landscapes of the Metropolis of Death, Otto Dov Kulka

"Elegiac, poetic and extraordinarily important, these deeply moving recollections vividly convey the horror of the death-camp. One of the most remarkable testimonies to inhumanity that I know"

Ian Kershaw

www.penguin.co.uk/nf/Book/BookDisplay/0,,9781846146831,00...

Beauty : Roger Scruton

Judging Beauty
Objectivity

Kant's claim is not that the judgement of taste is binding on everyone, but that it is presented as such, by the one who makes it.

When I describe something as beautiful I am describing it, not my feelings towards it
I am making a claim, and that seems to imply that others, if they see things aright, would agree with me.

Beauty, Roger Scruton

Blueprints : Anthropological Forms

We sense the reality of something precious and mysterious, which reaches out to us with a claim that is in some way not of this world.

This is no longer a person, but the 'mortal remains' of a person. And this thought fills us with a sense of the uncanny.



The body is being reclaimed for this world, by the rituals which acknowledge that it  also stands apart from it.

The human form is sacred for us because it bears the stamp of our embodiment.

Beauty, Roger Scruton

Botanical traces with leper graves
Cyanotype material on paper 1400x2400cm

Aerial.Winchester Cathedral 2011.

Aerial.Winchester Cathedral 2011., a photo by Russell Moreton on Flickr.

Drawings and mapping strategies created whilst participating in "Space for Peace in Winchester Cathedral 2011". Cyanotype process on paper, amongst this document there remains evidence of both human occupation and the surrounding architecture that framed the event.

Text/Tent/Texture #1

Text/Tent/Texture #1, a photo by Russell Moreton on Flickr.

Reflective journal and artist's book, a place to collage interests and findings whilst they wait to be discovered. This ongoing chronicle of explorations reflects the sense of "nowness" within the creative process. Most things lay dormant and waiting, their they remain encapsulated within the books fertile beauty.

Drawing from the body, 2010 Pencil,cyanotype and ink on paper withastronomical data.

Drawing from the body, 2010 Pencil,cyanotype and ink on paper with astronomical data., a photo by Russell Moreton on Flickr.

Panspermia, life creating "spores" travelling across the universe.