Sunday, 6 March 2022

The Film Stilled : Photograms/Assemblages/ Reading Texts

The Film stilled, Raymond Bellour pdf, Chris Marker

Spatial Apparatus : Pinhole Photography/Cyanotype,  Tate Turbine Hall.

From the photogram to the pictogram : on Chris Markers La Jetee, Reda Bensmaia.
Camera Obscura, Sept 1990.

Nostalgia and La Jetee
Karla Huebner

The Mirrored Abbey :  The Photographic Aesthetics of Decay

Nothingness, Nostalgia and the Absence of Reason.
The Aesthetics of Decay, Dylan Trigg,

The Custodians, Richard Cowper 1976.
https://russellmoreton.wordpress.com/

Humanity : An Emotional History
Stuart Walton. 2004

Fear
Anger
Disgust
Sadness
Jealousy
Contempt
Shame
Embarrassment
Surprise
Happiness

Camera/Room Obscura : Physical Contact Print
Light Writing : Surface Architectures
Kilquhanity, Scotland.

Sculptural Form/Everyday Interior (Bramdean)
Scarred Time/Photographic Surface/Negative














"Synagoga and Ecclesia" : Helena Elferova



Saturday, 5 March 2022

The Leper Hospital/Morn Hill, Winchester : Anthropomorphic Geography/Landscape on Photographic Ground



A few feet below the ground a thick line of rock would mark us off from all that had gone before. Condensed into that six-inch sooty layer would be our cities, vehicles, roads, bridges, weapons. Also, all sorts of chemical compounds not found in the previous geological record.
 Ian McEwan : The Children Act, 2014.

  Against SPACE : Place-Movement-Knowledge
 "I wish to argue, in this chapter against the notion of space. Of all the terms we use to describe the world we inhabit, it is the most abstract, the most empty, the most detached from the realities of life and experience."
 Tim Ingold


Environments

Land

Earth
Pastures

Country
Ground
Landscape

Indoors
Open

Sky


Air



Patti Smith | My Blakean Year | LIVE from the NYPL




And What Shoulder And What Art
Could Twist The Sinews Of Thy Heart

William Blake

Patti Smith Complete 1975-2006

Thursday, 3 March 2022

Temporal Perspectives : Urban Space and Place

Architectutally
Speaking
Practices of Art, Architecture and the Everyday
edited by Alan Read

Thirdspace  : expanding the scope of the geographical imagination
Edward W. Soja

Space-time and the politics of location
Doreen Massey

Space and Place
The Perspective of Experience
Yi-Fu Tuan

Experiential Perspective
Space, Place, and the Child
Body, Personal Relations, and Spatial Values
Spaciousness and Crowding
Spatial Ability, Knowledge, and Place
Architectural Space and Awareness
Time in Experiential Space
Intimate Experiences of Place
Attachment to Homeland
Visibility : the Creation of Place
Time and Place


for
space
Doreen Massey

Living in Spatial Times
Instantaneity/depthlessness

A Relational Politics of The Spatial
Making and Contesting time-spaces









Speculative Visuals : Photographic Processes


Blue : Precision/Indeterminacy

Colour Perceptions : Visual Wavelength

Square Photogram : Analogue Process








Artists Statement.

Russell Moreton.


Visual artist working with light sensitive materials and simple homemade cameras. I use these simple working methods to explore themes around the sense of place. Working with time-based media that is predominately analogue, my practice looks into the visual poetics of spaces formed through the photographic process. The use of drawings, architectural plans and collage techniques are used as a supplementary layer in my work to bring together visual and textual references and interests.  

Wednesday, 2 March 2022

Open Laboratory : Photographic Work : Borderlands

Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"

"All that is solid melts into air"

Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)

Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013
Anthrocene, Nick Cave and the Bad Seeds, Skeleton Tree.

Oxford Dictionary of Geography: spatiality

Anselm Kiefer :
In the Annenberg Courtyard
Velimir Khlebnikov: Fates of Nations: The New Theory of War
Anselm Kiefer often dedicates his works to intriguing figures of the past, be they poets or philosophers. This piece is one of a number of works emerging from Kiefer’s ongoing exploration of the Russian Futurist avant-garde writer, theorist and absurdist Velimir Khlebnikov (1885-1922).

After years of study, Khlebnikov concluded that a major sea battle took place every 317 years, or multiples thereof. Kiefer celebrates this heroic and ludicrous activity with a work that is both monument and anti-monument. Measuring almost 17 metres in total and consisting of two large glass vitrines, Kiefer creates a transparent, reflective sea-scape in three dimensions that calls to mind the Romantic sublime of painters from JMW Turner to Caspar David Friedrich. Kiefer uses the frames of the vitrines to stage a mysterious drama, in which viewers, seeing each other and their own reflections, become participants.

The effect that space has on actions, interactions, entities, concepts, and theories. Physical spatiality can also be metaphorical. It is used to show social power—thrones are higher than the seats of commoners, and ‘high tables’ for university teachers in most Oxbridge colleges physically elevate the teachers over the taught. People use proximity to show how intimate they want to be with others (See personal space), or orientation; we may face someone or turn away from them. Institutions and governments have used large architectural spaces to invoke awe, while restaurateurs may create ‘cosiness’ in small spaces.

Alternative Photography
Enchantments and Crossings : Somatic Effects


 Borderlands : Analogue Montage : Photographic Document

Walberswick : Beach Slides/Digital Pinhole

VITRINES : Art Spaces/interiors/interventions

Biosphere/Blue Cloud Network : Cyanotype Drawing Process

Sequential Photographs : Analogue Process










Landscape/Slow Motion : A Porous Atmosphere of Light/Experience


River Waveney, Mendham Marshes













The Experience of Landscape

Landscape, Memory and Desire

An Anthropology of Landscape

Up, Across and Along

Slow Motion

Tim Ingold


Light/Dark Room : Towards a new interior/subjective surfaces

STRATEGIES OF DISPLAY


Towards a New Interior
An Anthology of Interior Design
Lois Weinthal

MATERIALITY
Documents of Contemporary Art















https://www.flickr.com/photos/russellmoreton/34437319720/in/dateposted-public/

Sainsbury Centre for Visual Arts
UEA Norwich

Holga Pinhole Camera