Geodesic Photographic Assemblage : Observatory #2

Translucency : Exposure to Time

COLOUR/Mapping : as conduit for Spatial Agencies

The Film Stilled : Photograms/Assemblages/ Reading Texts

The Film stilled, Raymond Bellour pdf, Chris Marker

Spatial Apparatus : Pinhole Photography/Cyanotype,  Tate Turbine Hall.

From the photogram to the pictogram : on Chris Markers La Jetee, Reda Bensmaia.
Camera Obscura, Sept 1990.

Nostalgia and La Jetee
Karla Huebner

The Mirrored Abbey :  The Photographic Aesthetics of Decay

Nothingness, Nostalgia and the Absence of Reason.
The Aesthetics of Decay, Dylan Trigg,

The Custodians, Richard Cowper 1976.
https://russellmoreton.wordpress.com/

Humanity : An Emotional History
Stuart Walton. 2004

Fear
Anger
Disgust
Sadness
Jealousy
Contempt
Shame
Embarrassment
Surprise
Happiness

Camera/Room Obscura : Physical Contact Print
Light Writing : Surface Architectures
Kilquhanity, Scotland.

Sculptural Form/Everyday Interior (Bramdean)
Scarred Time/Photographic Surface/Negative

"Synagoga and Ecclesia" : Helena Elferova

The Leper Hospital/Morn Hill, Winchester : Anthropomorphic Geography/Landscape on Photographic Ground

A few feet below the ground a thick line of rock would mark us off from all that had gone before. Condensed into that six-inch sooty layer would be our cities, vehicles, roads, bridges, weapons. Also, all sorts of chemical compounds not found in the previous geological record.
 Ian McEwan : The Children Act, 2014.

  Against SPACE : Place-Movement-Knowledge
 "I wish to argue, in this chapter against the notion of space. Of all the terms we use to describe the world we inhabit, it is the most abstract, the most empty, the most detached from the realities of life and experience."
 Tim Ingold

Environments

Land

Earth
Pastures

Country
Ground
Landscape

Indoors
Open

Sky


Air

Patti Smith | My Blakean Year | LIVE from the NYPL

And What Shoulder And What Art

Could Twist The Sinews Of Thy Heart

William Blake

Patti Smith Complete 1975-2006

Temporal Perspectives : Urban Space and Place

Architectutally
Speaking
Practices of Art, Architecture and the Everyday
edited by Alan Read

Thirdspace  : expanding the scope of the geographical imagination
Edward W. Soja

Space-time and the politics of location
Doreen Massey

Space and Place
The Perspective of Experience
Yi-Fu Tuan

Experiential Perspective
Space, Place, and the Child
Body, Personal Relations, and Spatial Values
Spaciousness and Crowding
Spatial Ability, Knowledge, and Place
Architectural Space and Awareness
Time in Experiential Space
Intimate Experiences of Place
Attachment to Homeland
Visibility : the Creation of Place
Time and Place


for
space
Doreen Massey

Living in Spatial Times
Instantaneity/depthlessness

A Relational Politics of The Spatial
Making and Contesting time-spaces

Speculative Visuals : Photographic Processes

Blue : Precision/Indeterminacy

Colour Perceptions : Visual Wavelength

Square Photogram : Analogue Process

Artists Statement.

Russell Moreton.

Visual artist working with light sensitive materials and simple homemade cameras. I use these simple working methods to explore themes around the sense of place. Working with time-based media that is predominately analogue, my practice looks into the visual poetics of spaces formed through the photographic process. The use of drawings, architectural plans and collage techniques are used as a supplementary layer in my work to bring together visual and textual references and interests.