Melancholy Landscapes : The Plague/Vermilion Sands

Film Collages, hybrid processes and temporal states
Liminality : Literature/Philosophy/Visual Art

Landscapes : entering/intruding/emerging (holga819)
Existential Gestures : Looking away from the sea
Ballard : Vermilion Sands  :  Speculative Fields/Spatial Practices

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times

https://www.flickr.com/photos/russellmoreton/

06/04/2020 

Unbounded Outcomes : Iterations/Indexical/Repetition

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times


Inside Phenomena/Catching The Light

fig222 Visual device, North Sea, Covehithe

Indexical Iterations , Post Studio Cyanotypes

Cathedral Bookshop, Winchester

Relationscapes/Material Flows : infra Body, Personal Relations and Spatial Agency

Slow Philosophy

Reading against the institution

Troubleyn Laboratorium

Jan Fabre

Every colour has its own perspective.

Jenny Saville

Material flows and currents of sensory awareness in which images and objects reciprocally take shape.

Tim Ingold

The Dynamic Real

Vibrant Matter

Jane Bennett

infra

Max Richter

Wayne McGregor

Julian Opie

Vitality

Difference

New Materialisms

Elizabeth Grosz

Diffraction attends to specific material entanglements, a discursive phenomenon that makes the effects of different differences evident.

Performativity, subject and image do not pre-exist as such, but merge through intra-actions. 

Karen Barad

Collage, Superimposition, Bounded and Un-Bounded 

Space and Place
THE PERSPECTIVE OF EXPERIENCE
Yi-Fu Tuan

1959 : Patti Smith
Peace and Noise

Lingering at the threshold between word and image
Cy Twombly
Claire Daigle

https://www.tate.org.uk/context-comment/articles/lingering-threshold-between-word-and-image

Although his work resonates strongly with generations of younger artists, ranging from Brice Marden to Richard Prince to Tacita Dean to Patti Smith, it has a general propensity to polarise its audience between perplexity and unbridled admiration.

Certainly, the fortuities of a name are being pushed too far here, but what does Twombly do but offer up words in all of their resonance: literal, metaphoric, corporeal, material? His citations often have the vanitas effect of graffiti: ‘Cy was here’. Lingering at the threshold between word and image, Twombly renders visible those things – experience, emotion, the body’s share – that lie beyond the reach of verbal articulation.

Existential Gestures : Looking away from the sea

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times

On The Beach : Photographic Clouds of Potentialities/Boundary Based Agency

Inside Phenomena/Catching The Light
Wind Turbines : Coastal Geometries/Machines
North Sea Rim
Sea Palling
Visual Device : Textual Intervention

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times

Existential Gestures : Looking away from the sea
Low Tide
Lightness
Quickness
Exactitude
Visibility
Multiplicity
CONSISTENCY/Guattari
The Three Ecologies

Italo Calvino
Six Memos for  the Next Millennium

Locality/Social Complexity- Notebooks
Flux : Consciousness
In and Out of Material
Beach

Albert Camus : The Plague, 1947. (Penguin Fiction)

The townspeople of Oran are in the grip of a virulent plague.

Cut off from the rest of the world, living in fear, they each respond in their own way to the grim challenge of the deadly bacillus. Among them is Dr Rieux, a humanitarian and healer, and it is through his eyes that that we witness the devastating course of the epidemic.

Written in 1947, just after the Nazi occupation of France, Camus's magnificent novel is also a story of courage and determination against the arbitrariness and seeming absurdity of human existence.

'Camus represents a particularly modern type of temperament, a mystic soul in a Godless universe, thirsty for the absolute, forever rebellious against the essential injustice of the human condition'
Shusha Guppy, Sunday Times


The Planet drowns in an ocean of photographic emulsion.
J G Ballard