Material absorbed in its own thoughts :
Friday, 31 March 2017
Anselm Kiefer | "Die Ungeborenen" | Galerie Thaddaeus Ropac | Paris Pant...
Labels:
#russell moreton,
Anselm Kiefer,
architectonics,
colour space,
design,
experiential,
fields,
interior spaces,
lead,
materials,
objects,
picture plane,
process,
scales,
seascape,
seduction,
sensation,
visceral,
vitrines
Tuesday, 28 March 2017
Blueprints : Anthropological Forms
We sense the reality of something precious and mysterious, which reaches out to us with a claim that is in some way not of this world.
This is no longer a person, but the 'mortal remains' of a person. And this thought fills us with a sense of the uncanny.

The body is being reclaimed for this world, by the rituals which acknowledge that it also stands apart from it.
The human form is sacred for us because it bears the stamp of our embodiment.
Beauty, Roger Scruton
Botanical traces with leper graves
Cyanotype material on paper 1400x2400cm


This is no longer a person, but the 'mortal remains' of a person. And this thought fills us with a sense of the uncanny.

The body is being reclaimed for this world, by the rituals which acknowledge that it also stands apart from it.
The human form is sacred for us because it bears the stamp of our embodiment.
Beauty, Roger Scruton
Botanical traces with leper graves
Cyanotype material on paper 1400x2400cm


Thursday, 23 March 2017
Saturday, 18 March 2017
Friday, 17 March 2017
Thursday, 16 March 2017
alt-J - Fitzpleasure (art video in association with COSA)
Monday, 13 March 2017
Saturday, 11 March 2017
The Social : Entropy/Violence : The Poetic Lyricalism of Andrea Arnold
Labels:
#russell moreton,
Andrea Arnold,
entropy,
film,
Fishtank,
Landscape,
pastoral,
poetic,
political,
reality,
social realism,
sociology,
The Social,
urbanism,
violence,
weather,
Wuthering Heights
Thursday, 9 March 2017
Fake Fish : Hidden Curriculum (Life-Sensation)
In Defence of Sensuality : John Cowper Powys 1930.
Foreword.
The author feels that perhaps some explanation is due to the reader for the rather unusual employment of the word "Sensuality" which serves as the title of this work. The advantage given to the author by the use of this particular expression is that it enables him to proceed from rock-bottom upwards as far as he likes. A more refined title would have cut him off, in his method of developing his idea, from the physical roots of existence; for while it is easy to indicate the overtones and undertones of Sensuality it would be hard to bring a gentle, vague word, like the word "sensuousness" down to the bare, stark, stoically-stripped Life-Sensation which is the subject of this book.
J.C.P.
Dedicated to the memory of that great
and much-abused man
Jean-Jacques Rousseau
Tim Ingold
MAKING 2013
Anthropology, Archaeology, Art and Architecture.
Practical Geometry
The Architect and The Carpenter
The Cathedral and The Laboratory
Templates and Geometry
The Return to Alchemy






Foreword.
The author feels that perhaps some explanation is due to the reader for the rather unusual employment of the word "Sensuality" which serves as the title of this work. The advantage given to the author by the use of this particular expression is that it enables him to proceed from rock-bottom upwards as far as he likes. A more refined title would have cut him off, in his method of developing his idea, from the physical roots of existence; for while it is easy to indicate the overtones and undertones of Sensuality it would be hard to bring a gentle, vague word, like the word "sensuousness" down to the bare, stark, stoically-stripped Life-Sensation which is the subject of this book.
J.C.P.
Dedicated to the memory of that great
and much-abused man
Jean-Jacques Rousseau
Tim Ingold
MAKING 2013
Anthropology, Archaeology, Art and Architecture.
Practical Geometry
The Architect and The Carpenter
The Cathedral and The Laboratory
Templates and Geometry
The Return to Alchemy






Labels:
#Making,
#russell moreton,
anthropology,
archaeology,
architecture,
ecology,
energy,
fine art,
image,
John Cowper Powys,
learning,
life-sensation,
sensuality,
Tim Ingold
Tuesday, 7 March 2017
The waste City - Perfomance El Prado
Audiovisual product of an artistic project titled The Waste City.
Consisting of an action with Danza Butoh dancers in the Prado Museum, Madrid's most famous monument.
Monday, 6 March 2017
Sunday, 5 March 2017
A Sense of Looking : A Vicarious Topography
Drawings : Speculative Constructions in Photography
fig478 Photographic Forms/Intervals
Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"
"All that is solid melts into air"
Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)
Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013
Possible Worlds
The Sensual Reciprocity of This Enchanted Isle
fig604 Light is doing things
Autonomous Project/Creative Anarchism
Psychogeography : The Skies over East Anglia (35mm film)
Corporal Trace/Movement
A Sense of Looking : A Vicarious Topography










fig478 Photographic Forms/Intervals
Art as Spatial Practice.
Space folds : Containing "Spatialities around historicality and sociality"
"All that is solid melts into air"
Karl Marx, Friedrich Engels,
(Poetic observation concerning the constant revolutionizing of social conditions)
Perceptions now gathering at the end of the millennium. Spatiality, Robert T. Tally Jr. 2013
Possible Worlds
The Sensual Reciprocity of This Enchanted Isle
fig604 Light is doing things
Autonomous Project/Creative Anarchism
Psychogeography : The Skies over East Anglia (35mm film)
Corporal Trace/Movement
A Sense of Looking : A Vicarious Topography










Saturday, 4 March 2017
Abstracts : Fragments/Feelings towards Material/Subjectivities
Labels:
#fine art,
#russell moreton,
aesthetics,
bone,
domestic,
earth colours,
film,
flesh,
inner space,
interior,
island,
journey,
sky. glass,
Staffa,
stone,
Tarkovsky,
trace,
water
Friday, 3 March 2017
Spatial Accretion : Design Processes/Collage and Drawing
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